|
|
Southern California Licensed Firm, County
of Orange, City of Lake Forest
Unlike Feng Shui, Wabi-sabi represents different flow
to aesthetic system. It sustains a visual world to the unassumable with
cousin to Zen (minimalist). It allows the seerer to "Fill in the
blanks" through open thought and space. For architecture, the simple
yet clean medium ignites the soul boundlessly. Wabi-sabi generates
insights that transcends further than traditional Feng
Shui. Going beyond into the subtext yields the revealed realms of
transparent that draws deeper into surfaces and content,... it
springboards richer possibilities. These intuitive sensory experiences
hightens the touchless touch of aesthetic awe to our deeper inner being.
Wabi
Sabi
principles
outlined below
| The bowl is hollow, open and free shaped |
antithesis |
The box is rectilinear, precise and contained |
| Simple
and
sparing
(It's what you leave out that counts) |
antithesis |
Cluttered
and
full |
| Non demanding beauty |
antithesis |
Quintessential
supreme
rule
to esthetics |
| Non utility, non-purpose, sustaining empty meaning |
antithesis |
Survival
of
function
and utility to uses |
| Solicits into sensory expansion of possibilities |
antithesis |
Desolate
sensory
with
excessive definition |
| Comforts
uncertainly
&
unconventionality |
antithesis |
Intolerant
with
ambiguity
or contradictions, requires strong definitions in order
to withhold substance |
| Seemingly
Crude
(Primordial
and natural materials) |
antithesis |
Ostensibly
slick
(New
artificial manufactured materials) |
| Earthy, Intimate and warm |
antithesis |
Sterile
and
hygienic
|
| Unpretentious
and
obscured |
antithesis |
Pretentious,
ornate,
gaudy
& flashy |
| To
everything there is a season to change |
antithesis |
Strained
for
everlasting |
| Favors
degradation
and
attrition (Free to change) |
antithesis |
Requires
maintenance
and
excessive attention |
| Diminish
to
evolve
to nothing (Dissolved) |
antithesis |
Requires
restoration,
fixing
and reviving |
| Revives
naturally
through
change in time |
antithesis |
Revamp/replace
or
change
in pace to exhaustive trends |
| Weathering/contamination
generates
rich
expression |
antithesis |
Purity
is
divine,
decay is weak |
| Imperfect
and
incomplete |
antithesis |
Strains
improvement
and
perfectionism |
Wabi-sabi
may root to japanese aesthetics, but does not necessary emulate eastern
genre design. The principals actually compliment multi-ethnically with
all contemporary styles. Wabi-sabi is an appreciation of the subtle
details of everyday life, away from falling into obvious. The
inconspicuous and often overlooked aspects of nature draws presence to
our sensory awareness. While our eyes dazes within the hidden
vignettes, the results draws to rich sensations. It is the art of being
borne in the world with both wonder and discovery.
Experience evokes from simple observation of
nature. While everything comes and returns to nothingness, observing
nature allows one to accept the inevitable and finds the astounding
marks of charm left through time. Melancholic beauty become redefined
through irreversible causes. Time does not measure anything as long as
humanity welcomes a world in flux. Many materials become embrace
through natures rhythm, both young and old. Through immortality, time
is not frozen, it is ever changing and impermanent in all materials.
The benefits are more than just esthetics, it allows free maintenance
from most traditional industry products.
Having delicate impacts left with blemishes is
nature working itself with timeless care and quality. This aging,
weathering and raw exposure showcases differently with various
materials. Metals create green or brown patina while hand worn wood
becomes a rustic polish. Other materials color and textural surfaces go
through metamorphosis of change through weathering. These changes occur
in patterns caused in nature such as the cracking of dried clay and
erosion of other organic matter that follow no symmetry. Nature has
infinite forms that represent eternal spectacle of change as enduring
through time itself.
The rustic earthiness rises the elegance of
things. Dignity is found lowly, but not necessarily insignificant.
Modesty is not poverty, rather honoring things that fall in place with
time. Primivist is not barbaric, rather maintains reverence and
innocents. One lets the architecture venerate by rising to its highest,
sustaining absence from judgment or resistance for what it is. The
organic richness begins to grow from obscurity of a canvus of hidden
vials, thus finding the true gems of awe to beauty. Abound in nature
& catching subtlest moods, the being close to it all is treasured
through natures whispers.
Aesthetics and beauty are synthesis that are
often thought of as operating as one as identified in principals of
Zen. The imperfect, impermant and incomplete moves from a modest humble
level that transitionally invents sophistication on its own. Driving
for mental stimulation kills grace and ease where objects can really
shape from ones very own innate of insight. Once one masters the
distinctions of art, it transforms a world of appreciating the
unpretentious, the intimate, and irregularities as natural as the air
we breath. The results to simple design methods becomes overall
cost-effective.
In Wabi-sabi, the pallet of colors for example
can represent change of the seasons. These seasons themselves find a
pace of natural rhythms rather forcing into monochromatic. Colors or
textures begin colliding, bleeding into each other that develop uneven
textures of crude chromatic variations. Yet, many colors in Wabi-sabi
principals play with transitional monocramatics, but through soft
earthly pastels. The subdue allows our experience in gives rise to the
shape to things. The muted colors with soft transitions perpetuate the
continuum of energy flow. Yin may reveal sparseness while the yang
prevents stagnation from the over simplified color schemes. In this
case, Wabi-sabi occasionally and surprisingly invites bright colors to
splash accents and punctuate while also not overpowering the immediate
surroundings. The Yin / Yang vocabulary bridges the two worlds in
complete balance. For accents (Yang/masculine), most colors work if
used sparingly (Yin/ feminine) with compatible pallet for each room.
Not only do we live with our past ancestral
treasures, we also live in modern times. Furnishing, materials and
finishes can reflect the balance of both the old and new and remind our
coexistence which marries the two. The slick, glossy manufactured items
can warmly collide with rustic materials as they interplay with space.
More importantly, maintaining open space produces a subdue and tranquil
feeling of flowing air (Chi). Simplicity and sparseness is implicit
without restraint. The soul can move in and out to claim itself in the
open air. By diminishing gaudiness, the less ornate falls freely. In
this open space, there is energy coming from nowhere, yet feeling like
it is lifted everywhere. Utilizing used or recycled materials supports
the concept of Green Architecture.
Wabi-sabi concepts correlate with Zen, the
precincts of Taoism (Daoism). The Yin Yang principles were carried
later around 12th century into the Japanese culture. Tea masters and
monks practiced Zen principles and brought the living philosophy as
synchronistic esthetic discussions. The ancient orient cultures
emphasizes "direct, intuitive as transcendental superhighway while
removed to overload of intellectual inquires." At the core, Wabi-sabi
easily awakens the transcending ways of looking and experiencing things
that coexist with change. The Wabi-sabi ways may go beyond physical
appreciation to even find a romantic way of living and rising humanity.
When living Wabi-Sabi, one can easily grasp and enjoy a simple
unencumbered life. For additional Info
Contact: John Salat
at freeingwinds@earthlink.net
or call 949-235-4847
Back To Top
|